As the name suggests, the focus will be on the erotic artworks of the three renowned artists. Sitting in his favourite drinking hole, a glossy, subterranean bar called Rouge on the fringes of Tokyo's Kabukicho nightlife district, Araki says he is looking forward to the Hong Kong exhibition and says he prefers to have his shows overseas rather than in Japan. At the same time as being celebrated, Araki has triggered controversy for works that have been variously labelled obscene, predatory, vulgar or lurid. It will include nearly 50 works that explore sexual experience as a metaphor for life and include a daily programme of screenings of documentaries examining Japan's avant-garde art movement.
Binding them in bondage rope, he insists, is done "with the touch of love". Frequently, the naked women in his pictures are staring vacantly into his lens. For the duration of the exhibition, a parallel program of daily documentary screenings, relating to the Japanese avant-garde, are to be displayed. To honour that memory, an image in one of his most recent books is deliberately upside down. Sitting in his favourite drinking hole, a glossy, subterranean bar called Rouge on the fringes of Tokyo's Kabukicho nightlife district, Araki says he is looking forward to the Hong Kong exhibition and says he prefers to have his shows overseas rather than in Japan. Looking back through history, sex and art have been connected ever since the development of Shunga, which is the Japanese term for erotic art, dating back to the Heian period to The final pages have images of Araki holding his wife's hand on her deathbed; another is of her face, surrounded by flowers, in the casket shortly before she is cremated. Turning away from the trauma of war, Hosoe emphasized the universal experience of love and sex. His gritty photographs in high contrast and exploration of the corporeal have led the medium away from the documentary nature towards a surreal and expressionistic aesthetic. The nature of Japanese people is not to show their emotions or their ideas, so they hide their reactions when they see my works. Erotic Voyeurs of Japanese Photography Three celebrated photographers push the limits of sexuality and surveillance. The park voyeurs watch the couples, Yoshiyuki watches the voyeurs, and the gallery viewer watches all. Sometimes it invites voyeurism. There are too many lies in contemporary art. But we also discover tender images of his cat, Chiro, the back terrace of his apartment, cityscapes, urban crowds, and cloud-filled skies. From partly covered females in traditional robes, to rope, bondage and women hung disconcertingly from the ceiling, Araki often includes the shock value in his work. That is a very important part of my work and a part that I think an international audience will understand. Other works are from his "Hana Kinbaku" collection, taken in , and "Love on the Left Eye" series, published in after Araki lost virtually all vision in his right eye. Greatly influenced by Eikoh Hosoe, Moriyama worked as his assistant while becoming an avid photographer himself. This article appeared in the South China Morning Post print edition as: It's very different when I exhibit in Japan. Yoshiyuki spent months befriending these spectator-participants, pretending to join them as they clandestinely observed the amorous trysts of unaware couples. They are not real; they are, by definition, a lie. When his work shifted towards kinbaku the beauty of tight binding , he painted over the exposed genitals of his models with black ink, because of the obscenity laws in Japan, which forbid the display of pubic hair in images. But he can't bring himself to give up his last vice, the one that has always had him in its thrall:
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